In fact, Motta is a human through-line for the evening as a character in each of the short plays (Act I) and Randy Anger’s original radio drama “Murder One” (Act II). Motta hits his comedic heights in Alice Gerstenberg’s “Fourteen” as the very proper butler forced to deal with an ever-changing number of dinner guests.

While he doesn’t have a lot of lines, Motta says plenty with his perfectly timed facial expressions and movements. Melynda Kiring adds much to the comedy as the ambitious lady of the house dealing with her uncooperative daughter, well played by Erin Hurley.

In Act II the pace changes from comedy to murder as Anger’s “Murder One” takes over. Set in 1937 San Francisco, the action follows murder of the understudy to the male lead in a local theater. A nice twist, having the understudy killed. Usually, it’s the lead who dies with the understudy then stepping into the coveted role. This understudy, however, had also been sleeping with the star’s wife. Enter Detective Gene Trent, a Sam Spade-like character, who takes charge of the investigation.

Dressed in 1930s attire, the cast includes Hurley (Trent’s secretary/girlfriend), Motta (switching hats and voices for multiple roles), Jaime Rich (leading lady), Randy Wight (Trent) and Keith Williams (leading man/police officer). Anger has opted for recorded sound effects rather than the folio sound associated with radio dramas. The recordings work well, especially the mood music that helps set each scene.

One drawback inherent with radio dramas is that the cast must read their lines, forcing them to often look down. I’d love to see more facial expressions and hope that as the show continues, the cast can look at each other and the audience more. For tickets to the Martinez Campbell Theater (636 Ward St. in Martinez), go online to campbelltheater.com.

Lafayette: Town Hall Theatre’s “New Voices” series continues with Molly Olis Krost’s “Nanay,” running Jan 20-28. The lightly produced play follows Angela, who has traveled to her twin sister’s home to congratulate her on her new baby. The play, however, takes a dark turn as Krost delves into sisterhood, trauma and healing while also incorporating Filipino mythology and tradition.

“At the heart of ‘Nanay’ is the love and bond of Eve and Angela,” said Krost. “While I don’t have any sisters myself, I grew up surrounded by my mom and aunties. The messy beauty of their relationships with each other and seeing all the highs and lows they’ve gone through together is the lifeline of this play.”

Yari Cervas directs a cast that includes Sam Topacio, Ann Warque and Lore Gonzales.

Lafayette’s Town Hall then moves to a very different evening of entertainment with a screening and sing along of the uber-popular musical “Grease.” It all happens Feb. 4 beginning at 6:30 p.m. with a trivia contest, raffle prizes, a signature cocktail and a fun pack that will help movie viewers become part of the Rydell High experience.

At 8 p.m., a costume contest takes place followed by the screening of “Grease,” featuring Olivia Newton-John and John Travolta. For tickets to “Nanay” or “Grease,” call 925-283-1557 or go to townhalltheatre.com.

San Francisco: Obie Award-winning Bay Area playwright Christopher Chen’s “The Headlands” comes to American Conservatory Theater on Feb. 9. In Chen’s play, true crime fan Henry Wong digs for evidence in his father’s unexplained death. During his investigation, he’s haunted by the myths and misdirection of his own family history as the play explores the flawed narratives we tell ourselves.

“I am excited to explore this deeply personal story of family, memory and the city all in the spirit of a true S.F. noir,” said ACT Artistic Director Pam MacKinnon. “Moral ambiguity and the chase of the American Dream abound. Chris Chen has written a play for our moment.”

The show runs Feb. 9 through March 5 at A.C.T.’s Toni Rembe Theater (formerly Geary Theatre, 415 Geary St. in San Francisco). Call 415-749-2228 or go to act-sf.org for tickets.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

Directed by Dawn Monique Williams, “Paradise Blue” features Michael J. Asberry (Corn), Rolanda D. Bell (Silver), Kenny Scott (P-Sam), Anna Marie Sharpe (Pumpkin) and Titus VanHook (Blue).

“There are so many rich textures to this play: there is the bebop; the haunted spirits in all these characters and there is the woman Silver who arrives at the club and disrupts everyone’s life,” said Williams. “There’s a huge point of pride with me that Aurora would produce this play.”

“Paradise Blue” begins Jan. 27 with live performances in the Aurora Theatre at 2081 Addison St. in Berkeley. Post-show discussions will take place Feb. 3, 7, 15 and 23. The show can also be streamed Feb. 21-26. For tickets, call 510-843-4822 or go online to auroratheatre.org.

Also in Berkeley: The incredibly entertaining “Natasha, Pierre and The Great Comet of 1812” has been extended again at Berkeley’s Shotgun Players. Dave Malloy’s Tony Award-winning hit now runs through Feb. 25 at the Ashby Stage, 1901 Ashby Ave., Berkeley. Based on a section of Tolstoy’s “War and Peace,” this musical extravaganza follows a young woman who arrives in Moscow longing for her fiancé.

To tell the story, Shotgun has turned the Ashby Stage into a 19th century Russian nightclub, complete with cabaret tables for some lucky audience members. For tickets, go to shotgunplayers.org/online/article/great-comet.

“Claybourne Park”: Like Aurora Theatre, Pittsburg Theatre Company (formerly Pittsburg Community Theatre) also takes up changing neighborhoods with its production of the Pulitzer Prize-winning “Claybourne Park,” running Jan. 28 through Feb. 5 in Pittsburg’s California Theatre at 351 Railroad Ave.

Bruce Norris’s thought-provoking work ingeniously sets the action in 1959 in a residential neighborhood where white community leaders attempt to stop the sale of a home to a black family. In Act Two, the same house sets the stage for present-day action. Now, however, the house exists in a predominantly African American neighborhood where residents battle gentrification.

Directed by Gregory Brown, Pittsburg’s production features Jason Anthony, Bri Andrews, David Ghilardi, Kyle Jacques, Safira McGrew, Edward Natenburg and Natalie Tichenor. For tickets, go to pittsburgcommunitytheatre.org.

Pittsburg and Brentwood: Ghostlight Theatre Ensemble, in collaboration with Pittsburg Theatre Company, presents the totally wacky “Complete Works of William Shakespeare (Abridged) (Revised)” in two locations.

The fast-paced comedic romp through the Bard’s plays takes place Jan. 20-22 in Brentwood. Go to ghostlightte.org for location and ticket information. The energetic show will then be performed Feb. 24-26 in Steeltown Coffee and Tea at 695 Railroad Ave. in Pittsburg. Helen Dixon directs the popular comedy revised for today’s audiences.

Walnut Creek: A crumbling American dream seen through the eyes of an 11-year-old begins the new year for Center Repertory Company. Trying to find a way to belong in a divided country, the child fixates on a red bike that represents all the possibilities the world has to offer.

“Red Bike,” Caridad Svich’s imaginative, highly choreographed story, runs Feb. 4-25 in Walnut Creek’s Lesher Center for the Arts at 1601 Civic Drive. Set in an unnamed American town in economic decline, “Red Bike” takes the audience on a 90-minute ride as the child gains a new awareness of the local neighborhood.

Svich had never created a play with a child narrator before, and in an interview in “American Theatre” she explained why she did so for this play.

“I was thinking about the current political landscape and that there are so many laws being enacted that will affect children as adults,” Svich said. “I wanted to put someone at the center of the story who logistically and legally can’t fight for any of that but is the most vulnerable and at risk.”

The role of the genderless child can be played by one, two or three people. In Center Rep’s production, directed by Jeffrey Lo, actors Adrienne Kaori Walters and Amy Lizardo will play the child.

Completing Rep’s 2022-23 season is the Pulitzer Prize-winning “Sweat,” running March 25 through April 15, followed by Lin-Manuel Miranda’s “In the Heights,” slated for May 27 through June 24. For tickets to Center Rep shows, call 925-943-7469 or go to lesherartscenter.org.

San Ramon: Diablo Women’s Chorale invites those who love to sing and have fun to audition Jan. 23 from 6 to 9 p.m.

“We encourage any woman with a love of music and spirited company to audition,” said Jennifer Mack. “Choral experience and music-reading ability are a plus but not required.”

For more information, call Nancy Hickman at 925-899-5050 or email her at hickmandg@gmail.com. For more information on the San Ramon group, go to DiabloWomensChorale.org/join-us.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

“We are thrilled to partner with Risa Jaroslow and the extraordinary dancers in ‘Talking Circle,’” said OTP Co-Artistic Director Michael Moran. “The piece is strikingly beautiful and includes various levels of dancing ‘expertise,’ and yet all participants are an equal part of the whole.”

Using a multigenerational cast and music by Bay Area vocalist/composer Amy X Neuburg, Jaroslow imagines a turning point in the life of a small community. In the process, “Talking Circle” comments on society, belonging and togetherness.

“There are many circles inside ‘Talking Circle,’ ” said Jaroslow. “In a circle, people can see each other. In this work, seeing and acknowledging one another’s differences while holding each other and remaining in community is its heart and soul.”

The cast includes dancers Anna Greenberg, Phoenicia Pettyjohn, Cauveri Suresh and Erin Yen. They’re joined by Pamela Wu Kochiyama and Sharon Dalke of The Elders Project at Oakland’s Destiny Arts Center. For tickets to “Talking Circle,” go online to oaklandtheaterproject.org.

Alameda: How many times have you been to a restaurant where it seemed like forever before your food came? Though unfortunately a common occurrence, Peter and Irene deal with that and more in Wendy MacLeod’s “Slow Food.”

Running Jan. 20 through Feb. 19 at Alameda’s Altarena Playhouse, the play tells of an empty-nester couple celebrating their anniversary with a trip to Palm Springs. Hardly the perfect vacation, the couple struggles with the rental car agency bungling their reservation and a not-so-perfect hotel.

Starving, exhausted and emotionally spent, Peter and Irene search for a nearby restaurant only to find all are closed except for Dmitri’s, a Greek restaurant. Their controlling waiter micromanages every part of their dining experience, except for actually serving the food.

Running 90 minutes with no intermission, “Slow Food” features Peter Marietta as Peter and Kimberly Ridgeway as Irene. Damion Clark plays the needy waiter. Director Katina Psihos Letheule said she has a “dream cast to work with. Great chemistry, and they are so funny.”

The Altarena Playhouse is at 1409 High St. in Alameda. For tickets, go to altarena.org or email boxoffice@altarena.org.

“Slow Food” is the first show in the Altarena’s 2023 season, which also includes “Ruthless” (March 24 through April 30), “A Soldier’s Play” (May 26 through June 25), “The Birds” (Aug. 11 through Sept. 10) and “Miss Bennett: Christmas at Pemberley” (Oct. 20 through Nov. 19).

Berkeley: The topic of food also takes center stage at Berkeley Repertory Theatre, which opens two-time Pulitzer Prize winner Lynn Nottage’s Tony Award-nominated play “Clyde’s” on Jan. 25. Previews begin Jan. 20.

The action takes place at a truck-stop sandwich shop where formerly incarcerated folk make up the kitchen staff. The feel-good comic drama follows their attempts at rebuilding their lives despite a difficult boss who slings insults faster than the processed food. The mysterious chef and sandwich guru Montrellous serves as a counterpoint to Clyde’s negativity, offering the young staff hope and an opportunity to create their own perfect sandwich.

“It’s hard to imagine anyone other than Lynn [Nottage] who could create such a potent blend of politics, humor and a reminder that even in the most mundane tasks there exists the possibility of the transcendent,” said Berkeley Rep Artistic Director Johanna Pfaelzer. “It is a privilege to put this amazing play into the hands of director Taylor Reynolds, an extraordinary talent who I’m delighted to welcome to Berkeley Rep for the first time.”

The cast features Wesley Guimarães (Rafael), Cyndii Johnson (Leticia), Louis Reyes McWilliams (Jason), April Nixon (Clyde) and Harold Surratt (Montrellous).

“I’m looking forward to seeing how Bay Area audiences respond to ‘Clyde’s,’ a story of people looking to rebuild and transform their lives, which feels more relatable than ever,” said Reynolds.

Call 510-647-2949 or go to berkeleyrep.org for tickets.

Orinda: The Orinda Theatre welcomes Broadway’s Sam Gravitte, best known for his role as Fiyero in “Wicked.” Gravitte brings his 70-minute show to Orinda at 5 p.m. Jan. 29 as part of the “Live at the Orinda!” concert series.

“I hope the audience gets a glimpse into my childhood — growing up with actor parents with music as one of the rock-solid constants in my life — and that they enjoy an evening that explores a big old handful of genres,” said Gravitte.

For tickets, go to orindamovies.com.

San Francisco: The Tony Award-winning Best Musical “Dear Evan Hansen” comes to San Francisco’s “Orpheum Theatre” at 1192 Market St. from Jan. 24 through Feb. 19. The popular musical has won over audiences across the country with its deeply personal story about life and the way we live it. To get your tickets before they sell out, go to broadwaysf.com.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

Evidently, with a local soothsayer who predicts the future of theater includes singing and dancing. That’s all the advice Nick and Nigel Bottom need as they set out to write the world’s first musical. And that’s all Karey Kirkpatrick and John O’Farrell needed to create today’s crazy musical farce “Something Rotten.”

Along with Grammy Award-winning songwriter Wayne Kirkpatrick, the playwrights combined 16th-century Shakespeare and 21st-century Broadway theater into a wacky musical comedy treat that garnered 10 Tony Award nominations.

Now, Tri Valley Repertory brings the show to Livermore’s Bankhead Theater, 2400 First St., Jan. 14-29.

Brian Olkowski directs with Jed da Roza as music director, while creating the choreography are Christina Lazo and Meghan Hornbacker.

The musical features Tommy Lassiter as Shakespeare with Matt Skinner and Austin Andrade as Nick and Nigel Bottom, respectively.

For more information and tickets, call 925-373-6800 or go to www.trivalleyrep.org.

Martinez: The Campbell Theatre at 636 Ward St. in Martinez is gearing up for a fun year-end and beginning-of 2023 with several shows.

Act II Improv keeps the laughs coming with its “Just missed the Holidays” variety show Dec. 30 at 7:30 p.m. Masters of Ceremonies Jaime Rich, Randy Wight and Keith Williams promise a “no holds barred variety show with singing, dancing, improv, magic and comedy.”

The new year takes off with three short comedies and an original radio murder mystery all packed into an evening’s entertainment thanks to Plotline Theatre Company.

Director Randy Anger bundles three short comedies together for Act I: David Ives’ “Time Flies” starring Jerry Motta and Sheilah Morrison; Robert Anderson’s “I’m Herbert” featuring this columnist and Jerry Motta; and Alice Gerstenberg’s “Fourteen” with Melynda Kiring, Erin Hurley and Jerry Motta. You could call the evening “Jerry and His Girls!”

Act II is an original radio drama written and directed by Anger. The show runs Jan. 13-29.

For tickets to either the improv or the short plays and radio drama, call 925-350-9770 or go to www.campbelltheater.com.

Danville: The new year also brings Eugene O’Neill’s rarely produced “The First Man” to Danville. Presented by the Eugene O’Neill Foundation, the show runs Jan. 13-15 at The Museum of the San Ramon Valley, 205 Railroad Ave.

On Jan. 14 at 4 p.m., Dramaturg Beth Wynstra will explore the cultural context of O’Neill’s play detailing the power of societal norms on etiquette, marriage and family life in early 20th-century America and the America of today. The lecture is free.

Go to www.eugeneoneill.org for information and tickets.

Pittsburg: And speaking of O’Neill, Pittsburg Community Theatre (PCT) is holding auditions for two shows in January one of which is by Eugene O’Neill. O’Neill’s comedy “Ah, Wilderness!” will audition Jan. 7 (2-4 p.m.) and Jan. 8 (5-7 p.m.).

The rare O’Neill comedy takes place on the 4th of July 1906, in a small town on the Connecticut coast. Here 17-year-old Richard Miller deals with his first love, youthful indiscretions and more.

Auditions take place at Church of the Good Shepherd office building, 3200 Harbor St., Pittsburg, and consist of preselected readings from the play, which are available on PCT’s website.

“Ah, Wilderness!” runs April 22-30 at the California Theatre in Pittsburg.

More Pittsburg: PTC will also audition for “It Shoulda Been You,” an original new musical.

Centering on the Steinberg wedding, the play follows a Jewish bride and Catholic groom.  Her mother is a force of nature and his is a tempest in a cocktail shaker. Everything that can go wrong does and love pops up in the strangest places.

Auditions are Jan. 8 (2-5 p.m.) and Jan. 9 (7-9 p.m.) also at Church of the Good Shepherd. Those auditioning should bring a song and a background track – no accompanist provided – and prepare a comedic monologue. “It Shoulda Been You” performs June 17-25 at the California Theatre in Pittsburg.

For more information and to sign up for an audition, go to www.pittsburgcommunitytheatre.org.

Castro Valley: Plethos Productions holds its 6th Annual Season Announcement Soiree on Jan. 14 at 8 p.m. at Castro Valley Marketplace, 3295 Castro Valley Blvd. The formal event will not only announce the 2023 season but will also present five Fammy Awards for outstanding cast and crew members.

The night includes stand-up comics, actors, singers, dancers, delicious food and more. For tickets, call 510-388-1979 or go to www.plethos.org.

S.F.: If you’re still looking for some New Year’s Eve action, The Speakeasy has a few tickets left for its New Year’s Eve bash. Period attire encouraged as you welcome 2023 with a live jazz band, cabaret entertainment, endless games in the swank casino and much more.

For more information and tickets, go to www.thespeakeasysf.com.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

S.F.: An utterly delightful production of the new musical “As You Like It” is playing now through Jan. 14 at the San Francisco Playhouse. If you’re looking for a holiday treat or an upbeat way to welcome in the new year, this exuberant production fits the bill.

Based on Shakespeare’s work, playwrights Shaina Taub and Laurie Woolery have adapted the Bard’s romantic comedy into an imaginative and highly entertaining musical. Taub’s variety of music and clever lyrics (often using lines and phrases from Shakespeare’s comedy) bring an even more lighthearted feel to happenings in the Forest of Arden and a more sinister one to Duke Frederick’s castle. From romantic ballads to rap to country-and-western, Taub seamlessly incorporates the music into Shakespeare’s story.

While the words are Shakespeare’s, Taub and Woolery add their own modern touches such as the fool Touchstone (Nicholas Yenson) trudging through the forest with Rosaline (River Navaille) and Cecilia (Abigail Esfira Campbell) and lamenting how he can’t get a signal on his cell phone.

This rollicking musical, skillfully directed by Bill English, opens with the melancholy Jaques (a perfectly understated Deanalis Arocho Resto) singing Shakespeare’s opening monologue, “All the World’s a Stage,” surrounded by denizens of the Forest of Arden. The lyrics may not all be Shakespeare’s, but they certainly set the “stage” for a rollicking good time.

The large cast is superb, with so many standouts including Nikita Burshteyn as Orlando and Navaille as Rosalind. I’ve enjoyed Burshteyn’s melodic voice before, but here his dancing and martial arts-like movements also impress. Navaille proves a good match with equally notable acting and vocal talents. As always, Michael Gene Sullivan brings a regal presence as Duke Senior.

Then there’s the dancing. Choreographer Nicole Helfer has outdone herself, incorporating a variety of dancing styles, gestures and humor into the cast’s movements. The forest dwellers move in more encompassing circular patterns, with the citizens of the Duke having more sharp, staccato movements. Kudos also to fight choreographer Cynthia Bogolub for an exceptional wrestling sequence.

Bill English and Heather Kenyon’s set design adds beauty and humor to the musical as various projections play off the back wall and gorgeous, gigantic stained-glass flowers come in from the sides for Arden Forest, all beautifully lit by David Robertson.

My favorite part, however, was when the rapid scene change was about over and there was a slight pause followed by a row of shrubbery popping up across the back wall. I’m not sure if this was a mistake on opening night or a planned effect. Either way, those shrubs had excellent comic timing.

Kathleen Qiu adds her own level of artistry with a myriad of colorful costumes for the forest and military uniforms for the castle. The incomparable Dave Dobrusky applies his innumerable talents as music director/pianist with the help of Ken Brill (keyboard), Stephen Danska (guitar), Kirk Duplantis (drums) and Jeff Patterson (bass).

This production is a pleasure from start to finish with an intricate Maypole dance bringing this fun performance to an end. For tickets, call 415-677-9596 or go to sfplayhouse.org.

Clayton: Auditions for Agatha Christie’s iconic murder mystery “The Mousetrap” will take place Jan. 8 from 4 to 7 p.m. and Jan. 10 from 7 to 10 p.m. at Clayton Theatre Company, 6008 Center St. in Clayton.

The longest-running show in the history of British theater, “The Mousetrap” tells of a group of people gathered in a country house cut off by a snowstorm. Of course, they discover a murderer in their midst. In fact, murder lurks around every corner in Christie’s intricate plot.

Rehearsals will begin Feb. 6 with performances March 17 through April 1. Interested performers can download the audition form at claytontheatrecompany.com. Proof of vaccination will be required.

San Jose: Two staged readings of Elizabeth Horab’s pro-choice documentary play “When She Became Me,” benefiting the Oakland-based nonprofit Access Reproduction Justice, will take place next month in San Jose right before the 50th anniversary on Jan. 22 of the Supreme Court’s Roe v. Wade decision.

The updated play uses real stories to share experiences of pregnancy termination and to offer the wide range of reasons and reactions from people who have experienced it. Although the readings are free to the public, donations are welcomed at these readings; donations can also be made online at gofundme.com/f/when-she-became-me-reading-and-fundraiser.

The first reading will be held Jan. 13 at the San Jose Women’s Club, and the second will be Jan. 20 at San Jose’s Urban Sanctuary. For more information, call 347-272-0875.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

“ ’Cinderella: A Fairytale’ is a fresh retelling of a classic story,” remarked Director Sequoia Schirmer. “I love this script because it challenges our perceptions of these characters whose stories have been told so many times. Each character has an element layered onto them that I have never seen done before, which brings a unique depth and quirkiness to them.”

Unlike the original fairytale, Cookson and Peck’s version substitutes magical birds for the fairy godmother and shows Ella with a special affinity for the winged creatures, a little like Snow White. The birds are the ones that supply Ella’s gown for the ball and help her with all her chores as well. Ella’s fondness for her bird friends brings her in contact with another bird lover in the woods, who just happens to be the Prince (Ash M.B.). However, she doesn’t make that discovery until the ball.

With a modest budget, Schirmer fashions an interesting production that features set designer Tia Shank’s colorful scrim on vinyl nicely lit by Spense Matubang. Denise Altafer fashioned the costumes including an outrageously clever “gown” for the stepmother to wear to the ball.

The performers do a good job adding a new twist to the iconic characters, especially Dalpaiz, who not only plays the stepsister but also the Queen and one of the birds. Kudos to Town Hall’s education director, Erika March, who stepped into the Prince’s role on opening night with nary a script in hand!

While elements of this production will appeal to children, particularly the “birds” and colorful costumes, it’s geared for an adult audience and not really a children’s show. For tickets, call 925-283-1557 or go to townhalltheatre.com online.

YouthStage show: Berkeley Playhouse is auditioning for its YouthStage Spotlight show “School of Rock,” which will be performed in July 2023 and for which rehearsals begin next June.

Based on the hit movie, the show follows wannabe rock star Dewey Finn who poses as a prep school substitute teacher to make extra money. While there, he discovers his straight-A students are very talented and turns them into a rock band to have them enter the Battle of the Bands. Video auditions are due by Jan. 9. Go to berkeleyplayhouse.org for complete information.

Danville: There’s a chance to see a seldom performed Eugene O’Neill play, “The First Man.” Directed by Eric Fraisher Hayes, it will have a “script-in-hand” performance Jan. 13-15 in the Museum of the San Ramon Valley at 205 Railroad Ave. in Danville.

In his play, O’Neill imagines himself an anthropologist who has traveled the world only to end up in the provincial town where he grew up. As with most O’Neill plays, scandals and intrigues lead to a showdown with his family and the community. For more information, go to eugeneoneill.org.

On-demand video: In case you missed the Oakland Theater Project’s “Book of Sand” in-person, you can still see the dynamic performance via video on demand. Lisa Ramirez’s playful magical realism fairy tale tells of a mysterious book from which, as the protagonist reads, stories unfold in a magical dreamscape. Once read, though, the stories disappear forever.

Inspired by Jorge Luis Borges’ 1975 short story, “Book of Sand (a Fairy Tale)” will be available with video on demand through Jan. 3. Go to oaklandtheaterproject.org for tickets.

San Francisco: Theatre Rhinoceros is presenting its own iconic holiday special with Truman Copote’s “A Christmas Memory.” A benefit for the company’s 45th anniversary, the show will be performed Dec. 20 at 7 p.m. only.

Directed by Rica Anderson, the show features Sandra Schlechter in Capote’s fable focusing on country life, friendship and the joy of giving while also touching on loneliness, loss and the importance of companionship. A reception and raffle will follow the performance. Theatre Rhinoceros is at 4229 18th St. in San Francisco. Go to therhino.org for tickets.

Also in S.F.: If you’re looking for some respect, try the queen of that feeling as BroadwaySF celebrates the music of Aretha Franklin. “R.E.S.P.E.C.T.” will play Jan. 5-6 for three performances only in the Golden Gate Theatre at 1 Taylor St. in San Francisco.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

Liam Tamne is Heathcliff and Leah Brotherhead is Catherine with choreography by Etta Murfitt and scenic and costume design by Vicki Mortimer. For tickets to this epic saga, call 510-647-2949 or go online to berkeleyrep.org. The theater is at 2025 Addison St. in Berkeley.

Also in Berkeley: The anarchy of childhood, not to mention narcissistic adults, fills Berkeley Playhouse’s beautiful Julia Morgan Theater as its exuberant production of “Matilda, the Musical” continues through Dec. 23. Based on Roald Dahl’s story of a brilliant young girl mistreated by her feckless parents and bullying headmistress, the show pulsates with energy as the large, talented cast sings and dances its heart out.

While the 16-person adult cast performs every show, the 12 younger performers are double-cast, and alternate performances during the eight-week run that began Nov. 4. I happened to catch the Miracle Cast (named for the first number in the show) featuring the impressive Miranda Klein as Matilda. While the many high-energy numbers certainly showcase her many talents, I especially like Klein’s duets with Chanel Tilghman, who plays Matilda’s teacher Miss Honey, which allow both performers to demonstrate their notable vocal skills.

A superb Gregory Lynch portrays the slightly sadistic headmistress Miss Trunchbull, who adds subtle touches to create a more complex characterization of the over-the-top headmistress. Mark Robinson and Mary Kalita brought their own considerable talents to Matilda’s parents with the warm-hearted Jordan Battle portraying the librarian, Miss Phelps.

Kudos to director/choreographer Dane Paul Andres and co-choreographer Cat Reyes. They not only deliver a lively, fast-paced production with clever dance routines, but they also managed rehearsals with two casts of 12 youngsters each plus the 16 adults. I can only imagine the logistics involved.

The action plays out on Martin Flynn’s multilevel, versatile set beautifully enhanced with Aiden Reyes lighting design. For tickets or more details, go to https://tickets.berkeleyplayhouse.org/online.

Orinda: I hope you get a chance to see the Orinda Theatre’s showing of “Jesus Christ Superstar” at 7 p.m. Wednesday as part of the film’s 50th anniversary tour. Not only is this a fabulous opportunity to see this bold, epic production of the Tim Rice/Andrew Lloyd Webber rock opera, but also a chance to talk with actor Ted Neeley, who plays Jesus. Hopefully, there will be an encore showing of this powerful film (see orindamovies.com/2813/events for details). Fortunately for me, I was able to discuss the musical recently with the charismatic star.

“Since the first performance on Broadway in the early ’70s, being in this show has been magical,” said Neeley. “Then Norman Jewison, our brilliant director, took this project to new heights in 1973. My life literally changed during the making of ‘Jesus Christ Superstar’ on location in Israel. I met my future wife on the set, and the adoration the fans have with this film has me talking about it with you 50 years later.”

Neeley said Jewison’s guidance in the film inspired his subsequent live performances of the role.

“He took the concept of the piece and created a screenplay that struck a chord in the hearts of viewers worldwide. I can’t and won’t stop thanking Norman Jewison for what he did for me. Make no mistake, our 50th anniversary screening tour is a tribute to the vision and hard work of this legendary Hollywood director,” Neeley said.

Alameda: The dynamic duo of Margaret Beldon and Julia Etzel returns to the Altarena Playhouse with “Variety Show.” The two performers blended their lovely voices beautifully in productions of “Always, Patsy Cline” and “The Honky Tonk Angels” and have now put together an evening of song, dressing-room humor and a bit of mayhem. “Variety Show” runs Dec. 9-18.

Also, just in time for the holidays, the Altarena presents Brian Copeland’s “The Jewelry Box.” The heartwarming memoir follows a 6-year-old Copeland as he collects bottles and applies for jobs to earn the money to purchase a coveted Christmas present for his mom — a jewelry box.

I’ve seen this show in holidays past, and it’s remarkable what one talented actor/playwright can do to not only bring to life 1970s Oakland but to also awaken the spirit of giving and love. “The Jewelry Box” will play Dec. 15 at 8 p.m.

Both shows will take place in the Altarena Playhouse at 1409 High St. in Alameda. Call 510-253-1553 or visit altarena.org for tickets and more information.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

“People were asking me after my first concert if I was doing a Carpenters Christmas, and I thought, ‘What a great idea,’ ” Roldan said. “We have a wonderful quartet made up of John Brown, Ben Chau-Chiu, Ashley Cowl and Ashley Houts and an amazing harp player, Krista Strader, as well as the marvelous Joyce Lee on violin.”

Noel Anthony Escobar directs with musical direction by Brett Strader. For tickets, call 925-943-SHOW or visit lesherartscenter.org online.

Also at Lesher: Everyone’s favorite curmudgeon returns to the Lesher Center with Center Repertory Company’s annual production of “A Christmas Carol” featuring Michael Ray Wisely as Scrooge.

This production has become a holiday tradition for many of the performers who have returned year after year including Jeff Draper (Marley), Jeanine Perasso (Mrs. Fezziwig) and Kerri Shawn (Ghost of Christmas Past). Scott Denison directs the beloved holiday classic with Kelly Tighe’s fanciful scenic design, lots of special effects, surprises, music and dance.

Running Dec. 8-22, the show includes an America Sign Language-interpreted performance Dec. 18 at 7 p.m. For tickets, call 925-943-SHOW or go to the Lesher Center’s website above.

Lafayette: Sally Cookson’s “Cinderella: A Fairytale” brings holiday magic Dec. 3-18 to Lafayette’s Town Hall Theatre Company. Following the death of her mother, Ella is raised by her loving father until he remarries, and her peaceful life turns upside-down. Her only allies seem to be the beautiful birds she loves. But these are no ordinary birds!

“I love this script because it challenges our perceptions of these characters whose stories have been told so many times,” said Director Sequoia Schirmer. “In our production, we are telling this story through a queer lens to bring representation to those of us who did not see ourselves in fairytales growing up.”

Schirmer notes that the show is “bold and fun and campy” while also telling of Cinderella’s resilience and courage.

“Ella’s journey, at its core, is one for dreamers of all ages. It’s a story of growing up, moving on, belonging and finding one’s place in the world, while also learning to appreciate the world around you and finding the ways to make it your own,” added Daniel Eslick, Town Hall’s curator of artistic programming. The cast includes Evelyn McCollum, Alicia Rydman, Ash M.D., Vanessa Dalpiaz and Scout Del Real. For tickets, call 925-283-1557 or go online to townhalltheatre.com.

Walnut Creek: Join Diablo Women’s Chorale for a holiday concert in its new venue at Walnut Creek United Methodist Church, 1543 Sunnyvale Ave. Concerts take place Dec. 10-11 at 3 p.m. Go to diablowomenschorale.org for more information.

Walnut Creek and Orinda: Contra Costa Chamber Orchestra presents “Holiday Rhapsodies and Reveries” on Dec. 3 at Las Lomas High School in Walnut Creek and Dec. 4 at St. Stephen’s Episcopal Church in Orinda. Pianist Paul Schrage will solo in Gershwin’s “Rhapsody in Blue” with Lisa Canter the soloist in Vivaldi’s “Bassoon Concerto in E. Minor.” Go to contracostachamberorchestra.org for more information.

San Francisco: If you’ve never seen a pantomime theater performance, here’s your chance with just a quick trip to San Francisco’s Presidio Theatre. A traditional British holiday entertainment, pantos combine slapstick humor, crazy characters and parodies of current events.

The Presidio Theatre offers a panto of “Sleeping Beauty” in an over-the-top musical reimagining of the classic fairytale set in the magical kingdom of Pantoland, a mythical realm that looks a lot like contemporary San Francisco!

“Our annual panto productions are a great way to let loose, bring the kids and find the kid in all of us,” says Executive Producer Peggy Haas. “One of the world’s most popular theater traditions, panto does not take itself too seriously but delivers an uplifting message of coming together and hope.”

The show runs through Dec. 30 at the Presidio Theatre Performing Arts Center, 99 Moraga Ave. Call 415-960-3949 or go to presidiotheatre.org for tickets.

Also in S.F.: Just when I thought COVID would no longer disrupt theater performances, it once again rears its ugly head. SF Playhouse had to postpone the opening of “As You Like It” to Dec. 9 because of cast members testing positive for the disease. It originally was scheduled to open Nov. 23. Preview performances resume Dec. 3 at 8 p.m.

The musical adaptation of Shakespeare’s comedy features an original folk-pop score by Shaina Taub, who collaborated with Sir. Elton John on an upcoming musical version of “The Devil Wears Prada.”

Directed by Bill English with music direction by Dave Dobrusky and choreography by Nicole Helfer, the show offers a utopian vision of a society that favors acceptance over division and grace over meanness. That sounds like something we could all use, especially over the holidays. The show continues (hopefully uninterrupted!) through Jan. 14. For tickets, call 415-677-9596 or go to sfplayhouse.org.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

Co-directors Patrick Dooley and Erin Mei-Ling Stuart, who is also the choreographer, have created an exhilarating interactive musical in which the physical lines between the actors and audience blur thanks to Nina Ball’s gorgeous rendition of a 19th century Russian dinner club.

Some audience members sit on the stage at cabaret tables with others at tables surrounding the stage. A long runway extending from the main stage to the theater’s third row becomes Pierre’s sitting room. On either side, the pew-seating has been replaced with cabaret tables. I was fortunate to sit in one of these right at the end of the runway next to Pierre (Albert Hodge). Regardless of where you’re sitting, look out for actors coming down your row as they perform throughout the theater.

The musicians are also very much a part of the action with pianist/conductor Daniel Alley and drummer Brietta Greger in a small circular pit center stage and Carolyn Walter (clarinet), Flora Espinoza (oboe/English Horn), Tania Johnson (accordion/keyboard), Myra Chachkin (cello) and Rod Verette (double bass) on either side of the audience creating a beautifully balanced sound.

The music ranges from frenzied opera to melodic folk guitar (poignantly performed by Veronica Renner as Natasha’s cousin) and just about everything in between. All music is superbly performed by the cast that also includes Angel Adedokun, Christian Arteaga, Danielle Cheiken, Roeen Nooran and Weston Scott. For tickets (which are selling out fast!), call 510-841-6500, ext. 303, or go to shotgunplayers.org.

Point Richmond: A feel-good musical is on offer at Masquers Playhouse with the joyous “Amélie, the Musical.” Director Enrico Banson has tapped a plethora of positive energy in his tightly directed production about a young French girl overcoming an unhappy childhood by doing good for others.

Using the actor-muso style, Banson has 12 of the 13 cast members play instruments to great effect. Music Director Aaron Tan is the primary pianist with Paul Hogarth and Susan Tonkin taking over when he becomes the Mysterious Man in the play.

It’s fascinating to watch the actors find ways to incorporate their instruments into the action. Flutist Heather Warren, for instance, turns her flute into a handrail on the Metro for several scenes.

While the show doesn’t include dance numbers, there is certainly choreography as actors pick up instruments from various cast members while also moving set pieces around. All of it is choreographed seamlessly thanks to movement/choreography coordinator Katherine Cooper.

Kudos to the entire cast for the lively energy and enthusiasm they bring to this delightful story. Solona Husband makes a charming Amélie and is most effective when she adds a vulnerability and sadness beneath her positive outlook. Sleiman Alahmadieh is equally impressive as Amélie’s love interest, Nino. Both have lovely voices.

In fact, all the actors (many playing multiple roles in addition to instruments!) do a fine job with Paul Hogarth a riot as Elton John and Douglas Mandell (double bass) a poignant neighbor of Amélie’s with a rare bone disease.

Other cast members include Christina Boothman (percussion), Nelson Brown (guitar), Anand Joseph (accordion), Hayley Keenen (viola), Victor Meneses (percussion), Logan Schluntz (percussion) and Tonkin (piano/percussion).

Banson, also a filmmaker, added cinematic influences such as a tiny treasure chest becoming a light source that highlights Amelia’s face when opened and a very funny bit with a television that features Kennen as a British news anchor.

“Amélie, the Musical” runs through Dec. 10 in the Masquers Playhouse at 105 Park Place in Point Richmond. Call 510-232-4031 or go to masquers.org for tickets.

Walnut Creek: Christmas will come early Dec. 1-2 to Walnut Creek’s Lesher Center for the Arts as Laurie Hedstrom-Roldan performs a “Laurie Sings a Song for You Christmas.”

Inspired by the music of Karen Carpenter, the nostalgic evening features such Carpenter Christmas favorites as “Winter Wonderland,” “White Christmas” and “Silver Bells” plus other traditional holiday tunes at the Lesher’s intimate Vulkasin Theatre.

“With everything going on, I wanted to bring something positive and comforting to people,” said Hedstrom-Roldan. “This concert has some movement and funny moments and a few surprises. I hope it will be like a Christmas hug, which is something we all need about now.”

Hedstrom-Roldan will be joined by singers John Brown, Ben Chau-Chiu, Ashley Cowl and Ashley Houts, violinist Joyce Lee and harpist Krista Strader. Noel Anthony Escobar directs the 80-minute show with musical direction by Brett Strader. For tickets, call 925-943-SHOW or go to lesherartscenter.org.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.

Other cast members I didn’t have a chance to review include Nico Jaochico, Benjamin Garcia, Kirsten Torkildson, Marissa Hinckley-Barnes, Jayson Vicente, Ronnie La and Genie Tjahjadi.

John Maio directs with Kerry Leyden as musical director and Justin Sabino creatively choreographing the prepubescent spellers. For tickets, go online to ccmt.org or elcampaniltheatre.com. El Campanil Theatre is at 602 W. Second St. in Antioch.

Pittsburg: Also closing Nov. 20 is Pittsburg Community Theatre’s “The Addams Family.” Based on characters created by cartoonist Charles Addams, the story tells of young Wednesday (Desiree Capote), who has fallen in love with a normal young man (Luke Cannon).

Her parents, Gomez (Phillip Leyva) and Morticia (Shelly McDowell), host a dinner for the boyfriend and his parents (Mark Flores and Jennifer Stark). Needless to say, things don’t go smoothly with Uncle Fester (Tony Gardner), Grandma (Kimberley E. James), Pugsley (Brian Doolittle) and Lurch (Thomas James) in attendance.

Dianna Schepers directs. The final performances are Nov. 18-20 at California Theatre, 351 Railroad Ave. in Pittsburg. Go to PTCCA.org/Tickets or call 925-439-PLAY (7529) for tickets.

Walnut Creek: Get ready for a whimsical Christmas ballet when the brilliant dancers of San Francisco’s Smuin Contemporary Ballet perform Nov. 19-20 at Walnut Creek’s Lesher Center for the Arts. Along with a return to classic Michael Smuin pieces, the iconic ballet features spirited tap, jazz and folk dance numbers.

The performance also includes two world premieres: Nicole Haskins’ “Peaceful Prayer,” set to music created from a prayer for Ukraine, and a contemporary ballet from choreographer Amy Seiwert. For tickets, call 925-943-7469 or go to lesherartscenter.org.

Help wanted: Center Rep, the resident professional theater company of the Lesher Center announced open recruitment for an artistic director.

“Center REP’s artistic director will chart the course for the company’s evolution,” said Carolyn Jackson, the Lesher Center’s general manager. “We are seeking a collaborative leader with an established track record of creating excellent theatrical experiences and a demonstrated commitment to diversity, equity and inclusion in our field.”

The DeVos Institute of Arts Management at the University of Maryland will manage the search, with Jackson serving as the search committee’s chair. Interested applicants should apply by Dec. 14 to be included in the first round of review. The full position description and application instructions can be found at lcarts.org/REP-Artistic-Director.

Oakland: The Oakland Theater Project’s world premiere of Lisa Ramirez’s “Book of Sand” continues through Dec. 4 at 1501 Martin Luther King Jr. Way in Oakland.

Inspired by Jorge Luis Borges’ 1975 short story, it tells of a protagonist who receives a mysterious book with an infinite number of pages. As the protagonist reads, stories unfold in a magical dreamscape bringing up questions of existence, loss, longing and regret. Directed by Susannah Martin, the production features Kevin Rebultan and Carla Gallardo.

“We are thrilled to produce this extraordinary piece of magical realism,” said Michael Socrates Moran, the OTP’s co-artistic director. “This play not only uses realms of magical realism to allow us to traverse the labyrinthine questions of our time with levity, humor and grace, it is a stunning feat of theatrical imagination.”

For tickets call 510-646-1126 or go to oaklandtheaterproject.org.

Berkeley: Writer Dustin Chinn says he followed the journey of Vietnamese noodle soup in the creation of his biting comedy “Colonialism is Terrible, but Pho is Delicious,” playing through Dec. 4 at the Aurora Theater, 2081 Addison St. in Berkeley.

Beginning in 1880 in Hanoi where a Vietnamese cook finds herself cooking for aristocratic French settlers, the comedy spans centuries, continents and cultures. It finally ends in present-day Brooklyn, where an argument around culture, ownership and authenticity comes to a boil. Oanh Nguyen directs. For tickets, call 510-843-4822 or go to auroratheatre.org/pho.

San Francisco: If Shakespeare doesn’t come to mind when you think about the holidays, you might want to check out the new musical adaptation of “As You Like It” at San Francisco Playhouse running through Jan. 14.

Shaina Taub and Laurie Woolery have created a rollicking and poignant piece featuring an original folk-pop score. Don’t worry, it still follows Shakespeare’s tale of young lovers escaping to the Forest of Arden but creates a more dream-like atmosphere where all are welcome and the refugees find community and acceptance under the stars. Bill English directs with musical direction by Dave Dobrusky and choreography by Nicole Helfer.

The show takes place in the SF Playhouse at 450 Post St. in San Francisco. Call 415-677-9596 or go to sfplayhouse.org for tickets.

Sally Hogarty can be reached at sallyhogarty@gmail.com. Read more of her reviews online at eastbaytimes.com/author/sally-hogarty.